When it came to outlining my book one of the biggest things I had to consider was how the story was going to end, what would the climax be? This was by far the longest part of the whole outlining process for me and arguably the most difficult. Since the age of 16 I’ve wrote YA, young adult fiction was what I read the most and by default was what I wrote the most of. This age range was fantastic because the reader was older enough to understand heavier topics and as a result there was a whole host of possible endings for you book. However, after studying children’s fiction at university I found myself wanting to write a children’s book and this presented me with a few unexpected challenges.
When you write for a different age group to the one that you’re in you have to do far more research. At university I got used to writing for adults, the age of those around me. My work became more mature and I had no issues with touching on hard hitting issues like abuse or murder. But as I stated outlining Mirrors and Magic (working title) I quickly realised this had to change. I was now writing for those under the age of ten and I was not going anywhere near those topics in the way I had done in the past.
In a lot of the short stories I’d drafted that followed the tradition hero’s journey (just like Mirrors and Magic will), I killed off the antagonist at the end and usually at the hands of the hero. But when it came to the ending of Mirrors and Magic, I wasn’t jumping at the idea of having my hero killing off the villain. I’m writing a children’s book with a protagonist who is under ten years old. I can’t say I feel comfortable with a child becoming a killer.
I appreciate that what I’m writing is fiction, so it doesn’t have to play into real world values, but as a writer of children’s fiction I wanted to explore other options and consider there being another ending. As well as it feeling slightly morally wrong, I felt that jumping straight for the hero kills the villain was a bit lazy, it was the easiest option (by the way, there’s nothing wrong with this ending I’m not criticising people who kill off the antagonist of their book. I just felt that I would only be choosing it because it required the less amount of thought for my book). So, I began to explore alternative endings where the villain didn’t have to die, and this lead me down a bit of a rabbit hole I want to share with you all today.
Continue reading “The villain doesn’t have to die – alternative endings for your book”
Lost in the Story 